Groundbreaking PBS series nears completion
By Gale Courey Toensing
Story Published: Nov 24, 2008
BOSTON – After almost five years of planning and production, a
groundbreaking television series depicting more than 350 years of history
from an American Indian perspective is scheduled to premiere next spring.
Producers of the award-winning PBS history series “American Experience” are
nearing completion of “We Shall Remain” – a five-part series of 90-minute
documentary films that will air each week for five consecutive weeks
beginning on April 13.
In addition to the films, “We Shall Remain” has a massive multi-media and
community outreach component that includes mentoring emerging Native
filmmakers, a national library initiative, and a coalition of Native
organizations and tribes, historical societies, museums, schools and other
groups to plan and sponsor activities that promote understanding of local
Native history and contemporary life.
The films – the heart of the project - represent major epochs in American
Indian history and the overarching themes of the indigenous peoples’
unwavering resilience and resistance to the Europeans’ settler colonial
project and its encroachment on aboriginal territories.
“After the Mayflower” deals with the 17th century European invasion and
first contact with the Wampanoag Indians in Massachusetts, and the decades
leading up to the brutal King Philips War that devastated the northeastern
woodlands tribes and settlers alike.
“Tecumseh’s Vision” stars actor Michael Greyeyes, Plains Cree, as the
brilliant leader Tecumseh with his steadfast vision of a pan-Indian
movement, and Billy Merasty, Cree First Nation, as his brother Tenskwatawa,
who was known as The Prophet.
“Trail of Tears” relates the tragic ethnic cleansing of the Cherokee Nation
from its southeast homeland in which 4,000 people died of disease and
starvation along the way.
“Geronimo” is the story of the controversial Apache warrior-hero, who was
seen as a savage terrorist to the white settler colonists; a hero to some
Apaches, who still take pride in the fact that they were the last to lay
down their arms to the Europeans; and a troublemaker to others who blamed
him for the collective punishment the tribe suffered.
“Wounded Knee” examines the broad political and economic forces that led to
the emergence of the American Indian Movement in the late 1960s and the
events that triggered the group’s takeover of Wounded Knee on Pine Ridge
Reservation in South Dakota and its 71-day standoff with federal troops
Chris Eyre, Cheyenne/Arapaho, directed “After the Mayflower” and “Trail of
Tears,” and co-directed “Tecumseh’s Vision” with Rick Burns. Eyre’s first
feature film, ‘’Smoke Signals,’’ won the Audience Award and he received the
Filmmaker’s Trophy at the 1998 Sundance Film Festival. In 2005, he received
a Directors Guild award and a Peabody Award for his film, “Edge of
America.’’
“Geronimo’’ was co-written, co-produced and co-directed by Dustinn Craig,
White Mountain Apache/Navajo, and Sarah Colt.
“Wounded Knee” was produced and directed by Stanley Nelson, a recipient of a
2002 MacArthur Fellowship, a Sundance Special Jury Prize, Peabody Award,
Primetime Emmy, an IDA Award and a DuPont-Columbia Silver Baton and Freedom
of Expression award. Also working on the project are Julianna Brannum,
Comanche, associate producer; and Darwyn Roanhorse, Navajo, production
assistant.
The films weave together dramatic re-enactments of the historical narratives
with commentary from contemporary tribal members, elders, historians and
other scholars whose thought-provoking comments provide insights and
counterpoints to the narratives.
“I think in the series what you find is that nothing is simple and nothing
is black and white,” Eyre said in a video clip on the project’s extensive
Web site at www.pbs.org/weshallremain.
“When you have the odds and the adversity that you find with all of this
history and Indian people and what they went through you can’t always be
sure of the choices you would have made at the time, and the series really
sheds light on that,” Eyre said.
Actor Wes Studi, Cherokee, who plays the role of Major Ridge in the “Trail
of Tears” episode said the films portray American Indians as active players
in their own story.
“Many times what happens is that the general public throughout the world
thinks of us as just a lot of victims of the Europeans. Well, this story
here deals with, you know, our input in the way things turned out. We had a
huge hand in our historic fate and I think this particular story and the
character I’m playing, Major Ridge addresses that. It’s the most
historically accurate telling of this story that I’ve seen in my lifetime,”
Studi said.
The film series and its massive outreach initiatives will go a long way in
repairing the woefully inadequate misrepresentations of American Indian
history in the country’s educational institutions and in popular culture.
“A lot of the history was a surprise and we were surprised by how much we
didn’t know,” said Lauren Prestileo, the project manager.
Everyone involved is well aware of the impact this series will have.
“We believed going into it that we could really contribute something that
hasn’t been done before,” said Sharon Grimberg, the series; executive
producer.
“It’s the most ambitious thing American Experience has ever done. It’s drawn
in all of the staff and a lot of the people at WBGH (Boston) and I think
most people would say it’s the most important thing we’ve done. It’s been
incredibly difficult and incredibly rewarding,” Grimberg said.
The project was meticulously planned from the beginning. Before launching
the project, Grimberg held a two day “production school” that brought
together all the production teams, scholars, representatives from the
National Museum of the American Indian and Honoring Nations,
cinematographers, and a whole range of others to talk about the themes that
would resonate throughout the series, and the aesthetic approach that would
span more than 300 years.
“It’s grown and grown and grown, in all good ways. I think everyone has seen
the potential in it for an incredibly important conversation nationally
around this story, so we started out with a TV series and we have a really
huge initiative now that has these different aspects to it.”
The project’s Web site, already enormous, is going to get bigger.
“We’ll be adding interviews and a series of features on contemporary issues
because we really want the story to connect to the present day so they will
be sovereignty, language and economic enterprise and these pieces will be
videos and there will be links to other resources and articles and
connection to the films,” Grimberg said.
Video clips of the
episodes, short films produced by emerging Native filmmakers and much more
is available at
www.pbs.org/weshallremain. |